Lebanon
|
Mona Hatoum
Interior Landscape. Photo tour through the exhibition in Venice, parallel to the 53rd Biennale.
By
Haupt & Binder
June 2009
|
|
| |

|
Palestine
|
Jumana Emil Abboud
Statement about her video The Diver selected for the Central International Exhibition of the Venice Biennale 2009.
May 2009
|
|
| |

|
Malaysia
|
Matahati
The artists of the collective address history, identity, cultural and social changes in Malaysia.
By
June Yap
May 2009
|
|
| |

|
Bangladesh
|
Shahidul Alam
The man who has transformed the face of photography in Bangladesh. About his series Migrant Soul.
By
Fariha Karim
May 2009
|
|
| |

|
Malaysia
|
Raja Shahriman
The paradoxical beauty of Shahriman's forged metal sculptures of killing tools and dancing warriors.
By
Nur Hanim Mohamed Khairuddin
May 2009
|
|
| |

|
28 March - 28 May 2009 Lebanon
|
Akram Zaatari
The Documentary Turn. Zaatari's multi-strand approach that defines his practice as ‘field work’.
By
Suzanne Cotter
April 2009
|
|
| |

|
7 February - 19 April 2009 Algeria
|
Zineb Sedira
Floating Coffins, Saphir & MiddleSea, three recent videos on travel, migration and displacement.
By
Joseph McGonagle
April 2009
|
|
| |

|
Pakistan
|
Hamra Abbas
Interview about God Grows on Trees, with 99 children portraits from Madrassahs in Pakistan.
By
Sharmini Pereira
March 2009
|
|
| |

|
Indonesia
|
Wiyoga Muhardanto
With sharp criticism, the Indonesian artist subverts and deconstructs icons of the consumer society.
By
Agung Hujatnikajennong
March 2009
|
|
| |

|
Syria
|
Osama Esid
The Syrian photographer scrutinizes Orientalism using its own language and inner contradictions.
By
Maunac & Santos
February 2009
|
|
| |

|
Indonesia
|
Eko Nugroho
Wayang Kulit performance (shadow puppet theater), based on Nugroho's comic figures.
By
Alia Swastika
February 2009
|
|
| |

|
Indonesia
|
Tisna Sanjaya
Etching as a way of life. About "Ideocracy", Sanjaya's show at the Indonesian National Gallery.
By
Carla Bianpoen
January 2009
|
|
| |

|
18 November 2008 - 11 January 2009 Morocco
|
Collectif 212
With its expressive minimalism, the group opens up a promising direction for the arts in Morocco.
By
Jesús M. Castaño
January 2009
|
|
| |

|
|
|